![]() So if you haven’t listened to that episode, I encourage you to go back to episode 88 and check that one out. It stands for Listen, Internalize, Sing, and Transfer. This is a great question, especially because back in episode 88, just a couple episodes ago, I talk about my LIST process for learning jazz solos by ear. Could you please do a podcast or a blog post on how to get the most out of transcriptions of solos after you’ve transcribed them? How do you analyze a solo so that it can be of most help to you?” He’s from Detroit, Michigan, and he wrote me an email that says, “Hi. Today I’ve got a great show for you, and it’s all inspired by an email I received from a listener. Whether it’s your first time ever listening to the show or if you are a returning listener, I really appreciate you being here. Thank you so much for being here today and hanging out with me, listening in. I am the jazz musician behind the website, which is a blog and a podcast all geared towards helping you become a better jazz musician. Welcome to another episode of the LJS Podcast. Important Links:ĥ Sonny Rollins Licks Over “Tenor Madness”įree Guide to learn standards by ear: Learn Jazz Standards the Smart Way Read the TranscriptĪll right. So much can be learned from doing this and so I hope you take action today and spend the extra time to analyze a solo you have learned. If you’re really ambitious, and entire chorus.Chord tones and extensions being targeted in specific licks.Phrasing- use of space and length of lines.Uncommon or difficult chord progressions.Analysis: what should you be looking for?.Writing down the solo, and what to do if you don’t know how.Here are some of things I talk about in this episode: A lot of time and energy gets put into learning an entire jazz solo, and I want to make sure you get everything you can out of it. So what exactly do you look for? That’s exactly what I answer in today’s show. Learning material by ear is great, but it can be helpful to pair that with trying to get inside the mind of the musician you are transcribing. ![]() ![]() He wanted to know how to analyze his solo transcription.Īnalysis is important when observing jazz language. That’s what we are after when we learn jazz solos.īut how do you go further to make sure you’ve extracted everything you can before moving on? That’s the exact question a listener had, Cormack from Detroit, Michigan, when he emailed about this. By using this method, you will learn a solo properly and internalize it to a high level. Back in episode 88, I talked about my LIST process for learning jazz solos by ear.
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